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	<title>Shared Habitat</title>
	<link>https://sharedhabitat.net</link>
	<description>Shared Habitat</description>
	<pubDate>Fri, 07 Aug 2026 17:59:58 +0000</pubDate>
	<generator>https://sharedhabitat.net</generator>
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	<item>
		<title>Home</title>
				
		<link>https://sharedhabitat.net/Home</link>

		<pubDate>Sat, 20 May 2023 21:44:30 +0000</pubDate>

		<dc:creator>Shared Habitat</dc:creator>

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		<description>
S H A R E D&#38;nbsp; &#38;nbsp;H A B I T A T


E I L A&#38;nbsp; &#38;nbsp;G O L D H A H NS T U A R T&#38;nbsp; J&#38;nbsp; Y O U N G



&#60;img width="1430" height="1073" width_o="1430" height_o="1073" data-src="https://freight.cargo.site/t/original/i/aa51644821a7b88ed26ecfe06252530ec1d032d97c7f79ee08b8369bd1ddb6e5/76b1d337-3c0b-4409-918b-02776a5e70ed.jpeg" data-mid="250013822" border="0"  src="https://freight.cargo.site/w/1000/i/aa51644821a7b88ed26ecfe06252530ec1d032d97c7f79ee08b8369bd1ddb6e5/76b1d337-3c0b-4409-918b-02776a5e70ed.jpeg" /&#62;Above image: Photo of an installation “Putting our House in Order” by Eila Goldhahn



	
Shared Habitat is the shared artistic and research practice of Dr Eila Goldhahn and Stuart J. Young. It brings together our individual practices of installation, photography, sculpture, movement, writing, and embodied research.


Our work explores how embodied perception and place shape the ways we inhabit and relate to the world. Through site-responsive projects, exhibitions, publications, and artistic research, we investigate how physical forms become psychological, social, and ecological metaphors, revealing the subtle relationships between bodies, environments, and collective experience.


Shared Habitat is both an artistic practice and a space for collaborative inquiry, where making and research evolve through observation and lived experience.

Alongside our artistic practice, the website presents Eila Goldhahn's written publications and her ongoing development of MoverWitness,&#38;nbsp;a relational method of embodied observation, and its applications in interdisciplinary inquiry.
&#60;img width="1448" height="1086" width_o="1448" height_o="1086" data-src="https://freight.cargo.site/t/original/i/5645b7c3d22bf3bce4dd3c7b0f294135e97030815886676213b686b6c7e71ebf/ChatGPT-Image-Jul-5--2026--02_32_35-PM.png" data-mid="250107462" border="0"  src="https://freight.cargo.site/w/1000/i/5645b7c3d22bf3bce4dd3c7b0f294135e97030815886676213b686b6c7e71ebf/ChatGPT-Image-Jul-5--2026--02_32_35-PM.png" /&#62;Above image on lawn: AI-assisted visualisation for “Nequid Pereat: Harvest” by Eila Goldhahn for WAC&#38;nbsp;Wells Art Contemporary.



&#60;img width="690" height="512" width_o="690" height_o="512" data-src="https://freight.cargo.site/t/original/i/aa50ab94ea7694479bd0df8c8eb512a40fc8e99a672a6734891c9b582487ee16/Screen-Shot-2026-07-09-at-11.13.03.png" data-mid="250245451" border="0"  src="https://freight.cargo.site/w/690/i/aa50ab94ea7694479bd0df8c8eb512a40fc8e99a672a6734891c9b582487ee16/Screen-Shot-2026-07-09-at-11.13.03.png" /&#62;
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	&#60;img width="738" height="252" width_o="738" height_o="252" data-src="https://freight.cargo.site/t/original/i/899dcfeca240062bcfd31a0fe79d8bb2904b828473393d014eac8f0483fa8f40/images.png" data-mid="250078513" border="0" data-scale="20" src="https://freight.cargo.site/w/738/i/899dcfeca240062bcfd31a0fe79d8bb2904b828473393d014eac8f0483fa8f40/images.png" /&#62;

https://orcid.org/0000-0002-3852-8076

	Above images in order of appearance:
E. Goldhahn speaking at ZIF, Bielefeld, Germany&#38;nbsp; -&#38;nbsp; &#38;nbsp;Installation view of “Putting our House in Order” by S J Young with Eeva-Maria Mutka dancing&#38;nbsp; -&#38;nbsp; &#38;nbsp;Videostill from “Four Movers” at University of the Arts,&#38;nbsp;Helsinki by Eila Goldhahn&#38;nbsp; -&#38;nbsp; Studio view at Shared Habitat, photo E.Goldhahn&#38;nbsp; -&#38;nbsp; Painting based on a video still from “Slapton Movers” by E.Goldhahn, exhibition photo by S J Young&#38;nbsp; -&#38;nbsp; Portrait of Klaus Fiehe, photograph by E.Goldhahn&#38;nbsp; -&#38;nbsp; Calligraphy and single sculpture by S J Young&#38;nbsp; -&#38;nbsp; Calligraphy by&#38;nbsp;S J Young.

Contact© 2026 Eila Goldhahn &#38;amp; Stuart J Young

All rights reserved.

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	<item>
		<title>About</title>
				
		<link>https://sharedhabitat.net/About</link>

		<pubDate>Tue, 11 Nov 2025 19:20:39 +0000</pubDate>

		<dc:creator>Shared Habitat</dc:creator>

		<guid isPermaLink="true">https://sharedhabitat.net/About</guid>

		<description>
S H A R E D&#38;nbsp; &#38;nbsp;H A B I T A T

E I L A&#38;nbsp; &#38;nbsp;G O L D H A H NS T U A R T&#38;nbsp; J&#38;nbsp; Y O U N G

Since its founding, Shared Habitat has developed projects that connect people, place, and culture. Major initiatives include the Dartington to Totnes Foot and Cycle Path, created in partnership with Sustrans in 1993, which established an important sustainable transport link for the local community. In 2013, Shared Habitat expanded its international programme by launching the Pfaelzer Hof Artist Residencies in Idar-Oberstein, Germany, with support from the town council, fostering creative exchange between international artists.Eila Goldhahn

&#60;img width="1448" height="1086" width_o="1448" height_o="1086" data-src="https://freight.cargo.site/t/original/i/8e4bff0f76175fe72b0d81c5dc199cf022ec9e7d43267b4468d576424326b664/ChatGPT-Image-Aug-8--2026--01_40_23-PM.png" data-mid="251079891" border="0"  src="https://freight.cargo.site/w/1000/i/8e4bff0f76175fe72b0d81c5dc199cf022ec9e7d43267b4468d576424326b664/ChatGPT-Image-Aug-8--2026--01_40_23-PM.png" /&#62;

Eila Goldhahn is an artist, researcher and educator working across sculpture, installation, performance, film, writing and movement-based research. Her current practice encompasses exhibitions, interdisciplinary collaborations, residencies, teaching, and arts-led research.

Rooted in embodied practice, her arts-led research investigates how presence, perception, and relational awareness emerge through movement, materiality, gesture, and shared attention. Responding to the complexities of contemporary life, including the shifting ecological and cultural conditions of the Anthropocene, her work invites new ways of sensing, understanding, and connecting with the more-than-human world.

Working with individuals, communities, and interdisciplinary teams, Eila develops performances, installations, films, and sculptural works that translate embodied experience into visual and spatial form. Collaboration and dialogue are central to her practice, creating spaces where movement, language, and material become ways of thinking together.

Eila is the originator of MoverWitness, an embodied practice developed from the Discipline of Authentic Movement and the work of Adler and a&#38;nbsp;new interpretation centred on the MoverWitness paradigm, showing how movement and witnessing generate embodied knowledge and offering a methodology for arts-led and interdisciplinary research. She completed the first PhD (2007) dedicated to investigating its artistic and philosophical foundations, establishing an important contribution to its development as both an artistic discipline and a contemporary research methodology. 

&#60;img width="738" height="252" width_o="738" height_o="252" data-src="https://freight.cargo.site/t/original/i/899dcfeca240062bcfd31a0fe79d8bb2904b828473393d014eac8f0483fa8f40/images.png" data-mid="250291359" border="0" data-scale="12" src="https://freight.cargo.site/w/738/i/899dcfeca240062bcfd31a0fe79d8bb2904b828473393d014eac8f0483fa8f40/images.png" /&#62;

https://orcid.org/0000-0002-3852-8076

	Stuart J Young


&#60;img width="3000" height="3432" width_o="3000" height_o="3432" data-src="https://freight.cargo.site/t/original/i/f8d1e47e44cafef2e425a75f13028495663e2e0183ede6649e7b436a39cbbdb2/Portrait-Stuart-J-Young-copzright-Eila-Goldhahn-2024.jpg" data-mid="249650906" border="0"  src="https://freight.cargo.site/w/1000/i/f8d1e47e44cafef2e425a75f13028495663e2e0183ede6649e7b436a39cbbdb2/Portrait-Stuart-J-Young-copzright-Eila-Goldhahn-2024.jpg" /&#62;

Stuart J Young is a painter, photographer and sculptor whose work explores the relationships between form, colour, material, and space. His works invite a quiet engagement with the physical world, revealing how surfaces, objects, and places can hold tension, rhythm, memory, and meaning.

In the past Stuart worked in biochemistry, and his enduring interest in science and nature continues to inform both his material practice and his collaborative projects with Eila.
At the heart of his practice is an interest in spirituality and the more-than-human world. Through an intuitive process of making, Stuart explores our connection with landscape, presence, and the unseen, creating works that encourage reflection and a sense of attentive looking.

Alongside his visual arts practice, Stuart composes music and sings with Devon Chorale. Music, like his visual work, offers another way of exploring rhythm, atmosphere, and shared experience, enriching a practice that moves between image, sound, and place.Contact© 2026 Eila Goldhahn &#38;amp; Stuart J Young

All rights reserved.

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	<item>
		<title>The Field</title>
				
		<link>https://sharedhabitat.net/The-Field</link>

		<pubDate>Fri, 07 Aug 2026 17:59:58 +0000</pubDate>

		<dc:creator>Shared Habitat</dc:creator>

		<guid isPermaLink="true">https://sharedhabitat.net/The-Field</guid>

		<description>S H A R E D&#38;nbsp; H A B I T A T
E I L A&#38;nbsp; &#38;nbsp;G O L D H A H N
S TU A R T&#38;nbsp; J&#38;nbsp; Y O U N G


THE FIELD


“In observation of nature, large and small, I have constantly asked myself the question:&#38;nbsp; Is it the object or is it myself that speaks here?”
— Johann Wolfgang von Goethe&#60;img width="3264" height="1836" width_o="3264" height_o="1836" data-src="https://freight.cargo.site/t/original/i/f7361a2fd3c818219f46e00e9ae4c2f650d4dac86950140bf4847445f39f6ebe/IMG_20161025_164432907_HDR.jpg" data-mid="251079916" border="0"  src="https://freight.cargo.site/w/1000/i/f7361a2fd3c818219f46e00e9ae4c2f650d4dac86950140bf4847445f39f6ebe/IMG_20161025_164432907_HDR.jpg" /&#62;

The Field is a three-acre, south-facing site in the South Hams near Totnes, Devon. Acquired from Totnes filmmaker Rodger Jackman in 2008, it has since been under the stewardship of Shared Habitat: a place in which ecological processes are allowed to unfold alongside deliberate acts of planting, tending, observing and recording.
Over this period, more than one hundred different trees and shrubs have been planted. They have joined an existing and continually changing population of grasses, wildflowers, hedgerow plants, fungi and other forms of life that have appeared, disappeared, migrated or established themselves within the field. Some were already present but unnoticed; others emerged as the conditions of the land changed. Rather than attempting to impose a finished landscape upon the site, stewardship has involved watching what happens when human intervention and the autonomous processes of a place are allowed to coexist over time, and no building of human dwellings takes place.


Camera-Witnessing
Central to The Field is Stuart J Young’s long-term photographic research into the plants and flowers that have emerged and grown there.
Goldhahn described this practice as camera-witnessing in her PhD Shared Habitats in 2007. The camera is not used simply to catalogue species or produce conventional botanical photographs. It becomes a form of witnessing with sustained attention: a means of returning to the same habitat, noticing what has appeared, and attending closely to individual plants within the larger, changing ecology of the field.
The photographs accumulate as a record of encounters. Taken across seasons and years, they make visible forms of change that can easily escape ordinary perception: a plant appearing in a new location; the brief flowering of a species; variations in abundance from one year to another; the gradual establishment of trees and shrubs; and the consequences, intended and unintended, of human stewardship.
Camera-witnessing therefore occupies a space between documentation and participation. The photographer is not positioned outside the habitat as a neutral observer. To photograph requires entering the field, moving through it, returning, recognising and becoming familiar with what lives there. Observation itself becomes part of an ongoing relationship with place.


A Shared Habitat
The name Shared Habitat acquires a particularly literal meaning here.
The field is neither wilderness nor garden. It is a habitat in which human decisions intersect with processes that exceed human intention. Planting a tree is an intervention; whether and how that tree flourishes belongs to a much larger field of relations — soil, water, weather, insects, birds, neighbouring vegetation and the passage of time.
Over nearly two decades, The Field has become a form of long-duration research: an inquiry into what sustained attention to one small area of land can reveal.
The photographic archive Flowers of the Field does not offer a definitive inventory of the Field. Rather, it records a continuing act of noticing — one particular human witness, Stuart J Young with a camera, encountering the lives that have taken shape within a place under shared stewardship.

Flowers of the Field 


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&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/10f366bcf8f337bab1e52c2f1cb6a873c327e998fb8eb29ebdd5c081d553db4f/DSC_1323.jpg" data-mid="251066430" border="0"  src="https://freight.cargo.site/w/1000/i/10f366bcf8f337bab1e52c2f1cb6a873c327e998fb8eb29ebdd5c081d553db4f/DSC_1323.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Putting our House in Order</title>
				
		<link>https://sharedhabitat.net/Putting-our-House-in-Order</link>

		<pubDate>Wed, 25 Feb 2026 12:19:58 +0000</pubDate>

		<dc:creator>Shared Habitat</dc:creator>

		<guid isPermaLink="true">https://sharedhabitat.net/Putting-our-House-in-Order</guid>

		<description>


 &#60;img width="6614" height="6614" width_o="6614" height_o="6614" data-src="https://freight.cargo.site/t/original/i/019c9f92f7915087f7306cfca9f798c61c84f80afa26e5b8ca3442dfc5ac9c6f/Shared-Habitat-February-20261.jpg" data-mid="249543581" border="0"  src="https://freight.cargo.site/w/1000/i/019c9f92f7915087f7306cfca9f798c61c84f80afa26e5b8ca3442dfc5ac9c6f/Shared-Habitat-February-20261.jpg" /&#62;


	

&#60;img width="4864" height="3648" width_o="4864" height_o="3648" data-src="https://freight.cargo.site/t/original/i/dae320a60875642d6de7cfddf1f6679e60648e928d64445a4e74aa82850eeada/IMG_5364.jpeg" data-mid="245324145" border="0"  src="https://freight.cargo.site/w/1000/i/dae320a60875642d6de7cfddf1f6679e60648e928d64445a4e74aa82850eeada/IMG_5364.jpeg" /&#62;
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&#60;img width="4864" height="3648" width_o="4864" height_o="3648" data-src="https://freight.cargo.site/t/original/i/f6f8d3754a937cc9f885a065dfabb266ba8f770e789216d010d1835b869dc7cf/IMG_5417.jpeg" data-mid="245324148" border="0"  src="https://freight.cargo.site/w/1000/i/f6f8d3754a937cc9f885a065dfabb266ba8f770e789216d010d1835b869dc7cf/IMG_5417.jpeg" /&#62;



Putting
OurHouse in Order

Artists:Eila Goldhahn (lead): Installation and Film footageMike McInerney: Japanese
FluteEeva-Maria Mutka: Dance PerformanceStuart&#38;nbsp; J Young: Photography and MusicProject type: Installation / Exhibition

“The world hangs on a thin thread and that is the psyche of
man.”— Carl G. Jung

Putting Our House in Order is an evolving, site-responsive installation that brings together maps, agricultural tools, found objects, moving images, sound and performance. Through processes of gathering, rearrangement and participation, the work explores how communities navigate periods of ecological, social and political transformation.

First realised in Totnes—a place internationally recognised for community-led environmental initiatives and alternative models of resilience—the project addresses questions of stewardship, land use, memory and collective responsibility. Totnes provided a fertile context in which to begin this enquiry, but the themes at the heart of the work resonate far beyond a single location.

Conceived as a migratory structure, the installation is designed to be reconfigured in dialogue with new architectural settings, local histories and ecologies. Each iteration invites the participation of artists, communities and partner organisations, generating new constellations of materials, gestures and narratives while remaining connected to previous manifestations through an evolving archive and composite map.

Rather than presenting a fixed exhibition, Putting Our House in Order functions as an expanding field of research and exchange. It proposes exhibition-making as a form of collective world-building: an open, adaptive process through which different places can reflect on change, uncertainty and the possibilities of renewal.
&#60;img width="2846" height="3190" width_o="2846" height_o="3190" data-src="https://freight.cargo.site/t/original/i/843cb5fb8daa600b09a5e72748c91ea73d0246e459c7ed259407bc8c1e358d40/FullSizeRender.jpg" data-mid="245324211" border="0"  src="https://freight.cargo.site/w/1000/i/843cb5fb8daa600b09a5e72748c91ea73d0246e459c7ed259407bc8c1e358d40/FullSizeRender.jpg" /&#62;

Installation Wall of Maps with performer Eeva-Maria Mutka

CONTACT: &#38;nbsp;eilagoldhahn@gmail.com</description>
		
	</item>
		
		
	<item>
		<title>Tenuous</title>
				
		<link>https://sharedhabitat.net/Tenuous</link>

		<pubDate>Sat, 20 May 2023 22:34:10 +0000</pubDate>

		<dc:creator>Shared Habitat</dc:creator>

		<guid isPermaLink="true">https://sharedhabitat.net/Tenuous</guid>

		<description>
S T U A R T
J&#38;nbsp; Y O U N G
&#60;img width="3488" height="2616" width_o="3488" height_o="2616" data-src="https://freight.cargo.site/t/original/i/b112f049d758abdc3b4ccf7f5faea74cbe44eb1beb52bd94331129511511b67d/DSCF3093.jpg" data-mid="240522074" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b112f049d758abdc3b4ccf7f5faea74cbe44eb1beb52bd94331129511511b67d/DSCF3093.jpg" /&#62;



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&#60;img width="3488" height="2616" width_o="3488" height_o="2616" data-src="https://freight.cargo.site/t/original/i/38e057054d4be0d63bf5d97f58df402a6365f5a86001ad4ea8bdf913504bac7b/DSCF3142.jpg" data-mid="179410346" border="0"  src="https://freight.cargo.site/w/1000/i/38e057054d4be0d63bf5d97f58df402a6365f5a86001ad4ea8bdf913504bac7b/DSCF3142.jpg" /&#62;
&#60;img width="3488" height="2616" width_o="3488" height_o="2616" data-src="https://freight.cargo.site/t/original/i/b585524c3846321e15101851960e1c040b78a9440a860625c03749393243a9eb/DSCF3139.jpg" data-mid="179410357" border="0"  src="https://freight.cargo.site/w/1000/i/b585524c3846321e15101851960e1c040b78a9440a860625c03749393243a9eb/DSCF3139.jpg" /&#62;
&#60;img width="3488" height="2616" width_o="3488" height_o="2616" data-src="https://freight.cargo.site/t/original/i/15569cd9384aabb51dadd42896e4d094a4c54b402c04390730ce2225d79f4284/DSCF3112.jpg" data-mid="179410326" border="0"  src="https://freight.cargo.site/w/1000/i/15569cd9384aabb51dadd42896e4d094a4c54b402c04390730ce2225d79f4284/DSCF3112.jpg" /&#62;
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&#60;img width="3488" height="2616" width_o="3488" height_o="2616" data-src="https://freight.cargo.site/t/original/i/a267442d1ef07864b9037a7b73bc8faaeaf44828300452f80752a8ec7d6ddb2c/DSCF3134.jpg" data-mid="179410349" border="0"  src="https://freight.cargo.site/w/1000/i/a267442d1ef07864b9037a7b73bc8faaeaf44828300452f80752a8ec7d6ddb2c/DSCF3134.jpg" /&#62;




TenuousArtist: Stuart J YoungPractice: Art-Ecology-EmbodimentProject type: Sculpture / Installation / ExhibitionMaterial: Cardboard, glue, paper, paint, pigment, goldleafThis series of work, Tenuous, began in Germany some ten years ago. The sculptures are slender and fine and embody an almost immaterial quality of being and relating. There is an uneasy movement and inscription of space, as though their bodies make the air around them tremble.

Tenuous tabletop-sized sculptures are made from papermache and formally explore movement and tension between two or three lines or abstracted figures. They are informed by observations of plants, animals and humans in relational, somatic, gestural interactions.There is something vulnerable about these works as they allude to fragility and temporality.
Tenuous has been envisaged as models for life-size sculptures or utopian architectures.
They mirror still points in installations of Goldhahn’s MoverWitness dance films.</description>
		
	</item>
		
		
	<item>
		<title>Shared Habitat IV</title>
				
		<link>https://sharedhabitat.net/Shared-Habitat-IV</link>

		<pubDate>Mon, 10 Nov 2025 16:40:59 +0000</pubDate>

		<dc:creator>Shared Habitat</dc:creator>

		<guid isPermaLink="true">https://sharedhabitat.net/Shared-Habitat-IV</guid>

		<description>
S H A R E D&#38;nbsp; H A B I T A T&#38;nbsp; IVE I L A&#38;nbsp; G O L D H A H NS T U A R T&#38;nbsp; J&#38;nbsp; Y O U N G


&#60;img width="4683" height="1279" width_o="4683" height_o="1279" data-src="https://freight.cargo.site/t/original/i/8a8bbd547a8efab33906ef18ced6d7b61cb8079c685bb80c0e503ec7319792dd/IMG_3575.jpg" data-mid="240469029" border="0"  src="https://freight.cargo.site/w/1000/i/8a8bbd547a8efab33906ef18ced6d7b61cb8079c685bb80c0e503ec7319792dd/IMG_3575.jpg" /&#62;


&#60;img width="3648" height="4864" width_o="3648" height_o="4864" data-src="https://freight.cargo.site/t/original/i/3be2f798b7dd8d4f3b22bead149b8bffa6e7c6803015d1915244b2c42e991ee3/IMG_3374.jpg" data-mid="240457095" border="0"  src="https://freight.cargo.site/w/1000/i/3be2f798b7dd8d4f3b22bead149b8bffa6e7c6803015d1915244b2c42e991ee3/IMG_3374.jpg" /&#62;
&#60;img width="4864" height="3648" width_o="4864" height_o="3648" data-src="https://freight.cargo.site/t/original/i/ab7f08c2e0865e41cfa76513d931e6ccabf4704ca5864325ebe63784b280fbd1/IMG_3103.jpg" data-mid="240457114" border="0"  src="https://freight.cargo.site/w/1000/i/ab7f08c2e0865e41cfa76513d931e6ccabf4704ca5864325ebe63784b280fbd1/IMG_3103.jpg" /&#62;
&#60;img width="1533" height="1455" width_o="1533" height_o="1455" data-src="https://freight.cargo.site/t/original/i/77180cae1d46f1bca273683c0a7b10f8b015458cf87b3d8519058d9c45148eab/IMG_20250217_112035-2.jpg" data-mid="240489868" border="0"  src="https://freight.cargo.site/w/1000/i/77180cae1d46f1bca273683c0a7b10f8b015458cf87b3d8519058d9c45148eab/IMG_20250217_112035-2.jpg" /&#62;
&#60;img width="4864" height="3648" width_o="4864" height_o="3648" data-src="https://freight.cargo.site/t/original/i/cbdc055b828445824746aac22f1eaa662df5b236b73f8adb876c8a71c5d5ce11/IMG_2642.jpg" data-mid="240457131" border="0"  src="https://freight.cargo.site/w/1000/i/cbdc055b828445824746aac22f1eaa662df5b236b73f8adb876c8a71c5d5ce11/IMG_2642.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Gardens of Culture</title>
				
		<link>https://sharedhabitat.net/Gardens-of-Culture</link>

		<pubDate>Tue, 07 Feb 2023 19:57:54 +0000</pubDate>

		<dc:creator>Shared Habitat</dc:creator>

		<guid isPermaLink="true">https://sharedhabitat.net/Gardens-of-Culture</guid>

		<description>
S H A R E D&#38;nbsp; H A B I T A TE I L A&#38;nbsp; G O L D H A H NS T U A R T&#38;nbsp; J&#38;nbsp; Y O U N G

Gardens of CultureA two-day conference on artistic, utopian communities co-curated by Dr Eila Goldhahn, Dr Nele Lipp and Brygida Ochaim for KOINZI TANZ and held in&#38;nbsp;Aby Warburg Haus, Hamburg in November 2024.Eila's lecture on her experiences of Dartington, the Collegeand postmodern dance was published in Lettre International in June 2025.




Interval: Dartington in Times of ChangeArtists: Eila Goldhahn and Stuart YoungPractice: Photography&#38;nbsp;Project type: Photo essay / Exhibition /PublicationMaterial: C-PrintsFunders: KOINZI, Hamburg,&#38;nbsp;
The photo essay Interval explores Dartington as a site of cultural memory and transition was exhibited at the Aby Warburg Haus, Hamburg 2023, and subsequently at Birdwood House, Totnes, in February 2024.



&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/1d48d34a7fab6d143989452a03d63c994c4aa55799943c4e5fa645a5bfe91d0f/8-Henry-Moore-IMG_0793a-12x8-300.jpg" data-mid="213454486" border="0"  src="https://freight.cargo.site/w/1000/i/1d48d34a7fab6d143989452a03d63c994c4aa55799943c4e5fa645a5bfe91d0f/8-Henry-Moore-IMG_0793a-12x8-300.jpg" /&#62;
&#60;img width="2340" height="3120" width_o="2340" height_o="3120" data-src="https://freight.cargo.site/t/original/i/3f1c9b0457ce6cc9529e788878de663644a6ffc35288b2fb7b5a6e5054314635/5-Stairs-Dartington-Garden-copyright-Goldhahn---Young-2023-.jpg" data-mid="213454483" border="0"  src="https://freight.cargo.site/w/1000/i/3f1c9b0457ce6cc9529e788878de663644a6ffc35288b2fb7b5a6e5054314635/5-Stairs-Dartington-Garden-copyright-Goldhahn---Young-2023-.jpg" /&#62;
&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/c90e0f2143830ec3fd40c890aebcdedeebe0f13fe033d812a6e2dc26a55ad530/7-Rearside-IMG_0781-12x8-300.jpg" data-mid="213454485" border="0"  src="https://freight.cargo.site/w/1000/i/c90e0f2143830ec3fd40c890aebcdedeebe0f13fe033d812a6e2dc26a55ad530/7-Rearside-IMG_0781-12x8-300.jpg" /&#62;
&#60;img width="1464" height="2163" width_o="1464" height_o="2163" data-src="https://freight.cargo.site/t/original/i/51a0e9fddb2f7bad1d663b5e78c8e79e66b942a520adaff5e4e2af8fe8d6f818/4-Twelve-Apostles-IMG_20230430_232325_resized_20230605_081551565.jpg" data-mid="213454482" border="0"  src="https://freight.cargo.site/w/1000/i/51a0e9fddb2f7bad1d663b5e78c8e79e66b942a520adaff5e4e2af8fe8d6f818/4-Twelve-Apostles-IMG_20230430_232325_resized_20230605_081551565.jpg" /&#62;
&#60;img width="5359" height="3574" width_o="5359" height_o="3574" data-src="https://freight.cargo.site/t/original/i/f8a6bc63c9adab319f65ed0afaa9a760c97fdb44d459bdc54e44d4e26be5cce1/2-Foxhole-IMG_8921.jpg" data-mid="213454480" border="0"  src="https://freight.cargo.site/w/1000/i/f8a6bc63c9adab319f65ed0afaa9a760c97fdb44d459bdc54e44d4e26be5cce1/2-Foxhole-IMG_8921.jpg" /&#62;



Comments:“Beguiling and haunting — a comment on a fading, beautiful thing.”


“Fascinating, insightful commentary on the changing life of Dartington.”


“Profound and thoughtful, with strong visual acumen.”


“An excellent and beautiful composition. Meaningful images of change.”


“Very, very impressive.”
</description>
		
	</item>
		
		
	<item>
		<title>Hortus Conclusus</title>
				
		<link>https://sharedhabitat.net/Hortus-Conclusus</link>

		<pubDate>Thu, 17 Oct 2024 20:55:30 +0000</pubDate>

		<dc:creator>Shared Habitat</dc:creator>

		<guid isPermaLink="true">https://sharedhabitat.net/Hortus-Conclusus</guid>

		<description>

E I L A
G O L D H A H NHortus Conclusus



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Conceived for the German Embassy Rineland-Palatinate in Brussels, Hortus Conclusus takes its title from the medieval “enclosed garden”, a motif in art and literature associated with fertility, purity, and both earthly and divine love. The installation reimagines this symbolic landscape as a space of encounter and conception, examining the interconnected themes of human affection, spiritual longing, and regeneration. By revisiting the imagery of the enclosed garden, the work creates a setting that is at once intimate and universal, inviting visitors to consider the garden as a metaphor for protection, transformation, and the possibility of renewal.
Artist: Eila GoldhahnPractice: Art-Science-Ecology-EmbodimentProject type: Installation / ExhibitionMaterial: china clay, flower petals, mixed media on canvas, textile, wireFunders: Embassy of Rhineland Palatinate in Brussels, European Union


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		<title>Matricycle</title>
				
		<link>https://sharedhabitat.net/Matricycle</link>

		<pubDate>Sat, 02 Jan 2021 12:35:40 +0000</pubDate>

		<dc:creator>Shared Habitat</dc:creator>

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E I L AG O L D H A H N


	

Matricycle

Artist: Eila GoldhahnPractice: Art-Science-Ecology-EmbodimentProject type: Research project / Installation / Publication Material: steel wire and gauze

Exhibited:Dartington Gallery, UK
Kunsthalle Halle, Germany
Basis, Frankfurt, GermanyFunders:
Plymouth University, UK Kunstförderung Rhineland-Palatinate, 



Matricycle is a long-term artistic research project exploring material transformation, ecological reuse, and embodied making. Developed over nearly two decades, the work centres on the reuse of mattress springs as a means of investigating circularity, endurance, and care through physical labour and material experimentation.

Originating in doctoral research at Dartington College of Arts and supported through development funding from Plymouth University, Matricycle has evolved across sculptural, architectural, and speculative formats. Current iterations combine workshop-based making, collaborative prototyping, and AI-assisted digital image exploration to test future applications.

The project operates as an open, evolving system rather than a fixed outcome, foregrounding process, material logic, and collective enquiry.The haptic contact with materials leaves imprints&#38;nbsp; of physical movements in the emerging sculptures. These visible forms are like an echo of the movement: they mirror the fleeting performance with the&#38;nbsp; material. They touch upon the beginnings of embryonic movement: form and folding of early developmental stages like blastula and gastrula.

	

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		<title>Chromosome Boards</title>
				
		<link>https://sharedhabitat.net/Chromosome-Boards</link>

		<pubDate>Sun, 03 Jan 2021 14:40:51 +0000</pubDate>

		<dc:creator>Shared Habitat</dc:creator>

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Material: handmade iron nails, wax and pigment on floor boards
Exhibited:Anatomical Museum of the University Erlangen, GermanyKunstraum Weissenhohe, Nürnberg, , Germany
Embassy Rhineland-Palatinate Bruxelles, Belgium
Haus am Dom Frankfurt, Germany




These works draw on ideas from genetics and epigenetics to consider how experiences are carried, transmitted, and inscribed across time. Genetics provides the biological framework of inheritance, while epigenetics reveals that environmental conditions and lived experiences can influence the expression of genes, leaving traces that may extend beyond an individual lifespan. Together, they offer a powerful model for thinking about memory, adaptation, and continuity between generations.

In this series, chromosomes are visualised as analogies for the moving body itself. Their forms suggest both microscopic structures and corporeal gestures, transforming scientific imagery into sculptural and spatial language. Arranged as friezes, the works unfold as generational pathways in which biological inheritance becomes intertwined with personal and collective histories.

The frieze format evokes a processional movement through time, connecting an archaeological past, an Anthropocene present, and an as-yet-unknown human future. The works propose the body not as a fixed entity but as an evolving archive—one that bears the inscriptions of memory, environment, and experience. By bringing together scientific concepts and artistic form, the project reflects on human existence as a continuous process of becoming, in which the intimate scale of the chromosome mirrors larger histories of migration, transformation, and cultural inheritance.




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